15 FILMS, INCLUDING ROOM AND TRAINWRECK (2015).
Brie Larson’s breakthrough was a long time bubbling. Born Brianne Sidonie Desaulniers, a name which would have taken up the entire marquee, she began studying drama at the age of six and was racking up credits in original cable movies and TV series in her early teens, getting a long head start on her contemporaries. Like Elizabeth Banks before her breakthrough, Larson blazed in supporting roles (rock star Envy Adams in Scott Pilgrim vs. the World, the mouthy daughter in Showtime’s United States of Tara, a bold spirit in the otherwise doodling Digging for Fire, Amy Schumer’s responsible younger sister in Trainwreck), both fitting in and standing out. With Room, based on Emma Donoghue’s novel, Larson proves she can shoulder the hefty demand of lead billing (and now has an Oscar nomination—her first—for best actress as additional proof), not that there was any doubt. Her unbreakable portrayal of the mother held captive for years in a cramped cell with her young son has put Brie Larson in the center of the conversation, where she belongs and isn’t likely to budge from anytime soon.
Thanks to Claudia, new “Room” scans from the January edition of “Entertainment Weekly” magazine have been added to the gallery. Be sure to check them out!
Magazine Scans > Scans From 2016 – Entertainment Weekly – January 29
Brie covers the December issue of the Sunday Telegraph’s Stella. She looks so stunning on this cover ; I can wait for finding this photoshoot. Enjoy !
Magazine Scans > Scans From 2016 – Stella – January
Brie Larson’s 20-Year Climb to Overnight Stardom: I’m “Totally Out of My Comfort Zone”
The Oscar nominee is Hollywood’s fastest-rising actress since Jennifer Lawrence. Now, the intensely private star of ‘Room’ — whose breakout role drew interest from Emma Watson and Rooney Mara — is leaping from a $5 million budget movie to a $125 million one (‘Kong: Skull Island’).
The morning after picking up the Breakthrough Performance Award at the 27th annual Palm Springs International Film Festival, Brie Larson rolls up to a Studio City eatery in a shiny black chauffeur-driven SUV. Nobody on the sidewalk outside the bustling diner appears particularly starstruck by the 26-year-old actress in ripped Levis and gray sweater — or even seems to recognize her. But Larson is in a playful mood. As she approaches her breakfast companion, she hikes her nubbly pink coat over her head and jokes — with faux drama-queen theatrics — “Please, no photos!” Actually, being swarmed by paparazzi outside a restaurant isn’t so far-fetched a scenario for the brand-new Oscar nominee, who these days is undergoing that sometimes-awkward transformation from struggling young actress (playing supporting roles in films like 21 Jump Street and Trainwreck) to Hollywood’s favorite new thing. Ever since her much buzzed-about performance in Room, the Lenny Abrahamson drama about a young mother and son held captive in a shed for seven years, the star has been caught up in an awards-season lovefest, spending the past eight weeks shuttling from junket interviews to film festivals to awards shows — like the Golden Globes, where she won best actress in a drama — to her real job, which, at the moment, is a grueling jungle shoot for Kong: Skull Island, her first lead in a tentpole (Universal and Legendary are spending north of $125 million on it). Although Room, a tiny $12 million indie distributed by newcomer A24 Films, hasn’t caught fire at the box office (it has grossed $5 million since its Oct. 16 release, about what Kong is spending on banana bills), Larson’s raw, stripped-down performance has struck a chord, making her Hollywood’s newest “It” girl.
“More and more, my life is going in a direction that is not universal; there’s only a very small group of people who understand,” says Larson, photographed Dec. 20 at Siren Orange Studio in Los Angeles.
Brie Larson in Room
“I have always wanted to act. When I was around 7 I started auditioning, and I recall going up for a fish-sticks commercial. By then, I was completely committed to the craft of acting and had memorized a full monologue. The director was only looking for cute kids and wasn’t interested in hearing my speech. I started sobbing. ‘They won’t let me act!’ I wailed to my mother.”